由 Taito 於 1987 年 9 月 25 日在任天堂 Famicom（紅白機）上推出的《殭屍小子 2》，雖然名稱帶有「2」，但實際上是該系列在紅白機上的第一款，也是唯一一款完整的 RPG。由日本公司開發，改編自當時風靡台灣的電影《殭屍小子》（哈囉殭屍）及其系列影集，並融入濃厚的道教民俗與靈異元素，形成一個相當獨特的作品。

結合第一人稱探索與道術戰鬥的 RPG。在城鎮中移動採用傳統的俯瞰視角，但進入建築物或迷宮後，畫面會切換成類似《巫術》或《女神轉生》的第一人稱 3D 迷宮，而戰鬥則採側面對戰畫面，呈現更生動的格鬥感。操作電影中的經典角色，如活潑的西瓜皮、乖巧的恬恬、頑皮的小黑以及靈魂人物金爺爺。遊戲音樂充滿中國風電子旋律，尤其是戰鬥中的打擊樂節奏，完美重現電影中「人鬼大戰」的緊張氣氛。

劇情緊扣電影版的調性。邪惡的殭屍王甦醒，帶領無數小殭屍攻擊村莊，並擄走主角的同伴。主角金爺爺，帶領孩子們從神祕的中國村莊出發，穿越森林、荒野與陰森洞窟，收集傳說中的法器，闖入殭屍王的巢穴，展開拯救同伴與淨化大地的最終決戰。

遊戲操作重點在於資源管理與指令策略。迷宮探索需要玩家具備方向感或繪製地圖的能力，因為迷宮中布滿陷阱和相似牆壁，容易迷路。戰鬥採回合制，強調道術與符咒的運用，包括貼符令殭屍停止行動、使用墨斗與鈴鐺削弱敵人、防止移動，以及用糯米治療「殭屍化」狀態。玩家需在村莊中修行提升等級，初期難度極高，稍有不慎便可能全滅。恬恬作為高法力角色，通常被用作強力後援。

市場評價兩極分化，但印象深刻。評論家與玩家讚賞遊戲對台灣殭屍電影氛圍的高度還原，從符咒到道士作法的細節都令人耳目一新。然而遊戲難度極高，3D 迷宮容易迷路，加上殭屍毒系統，使得玩家若不參考攻略幾乎難以通關。

歷史地位上，這是 1980 年代殭屍熱潮在遊戲界的代表作。它成功將動作喜劇電影轉化為深度 RPG，即便多年後仍有許多懷舊玩家重溫那獨特迷宮的氣氛。最令人難忘的瞬間，莫過於在陰森的 3D 迷宮轉角，突然遇到一隻穿著官服、伸長雙手的殭屍，或為了幫西瓜皮治療殭屍毒，在迷宮中瘋狂尋找出口時的緊張感。

Taito released Kyonshiizu 2 for the Nintendo Famicom on September 25, 1987. Despite being labeled as a “2,” it was actually the first—and only—full-fledged RPG in the series for the Famicom. The game is a unique creation by a Japanese developer, based on the Taiwanese zombie film Kyonshiizu (Hello Zombie) and its subsequent series, heavily infused with Taoist folklore and supernatural elements.

Kyonshiizu 2 is a first-person, magic-based RPG with exploration at its core. Town navigation uses a traditional top-down view, but entering buildings or dungeons switches to a first-person 3D perspective reminiscent of Wizardry or Shin Megami Tensei, while battles are displayed in dynamic side-view duels. Players can control iconic characters from the films, such as the playful Xigua Pi, the sweet Tiantian, the mischievous Xiao Hei, and the spirit-guiding Master Jin. The soundtrack features Chinese-inspired electronic melodies, with combat music emphasizing rapid percussion that evokes the chaotic “human versus zombie” battles from the films.

The plot closely follows the tone of the movies. The evil Zombie King has risen and is leading hordes of small zombies to attack villages, abducting companions along the way. Players take on the role of Master Jin, guiding the children through mystical Chinese villages, forests, wastelands, and eerie caves. The ultimate goal is to gather legendary talismans, infiltrate the Zombie King’s lair, and engage in a climactic battle to rescue their friends and purify the land.

Gameplay revolves around meticulous resource management and strategic command use. Exploration of the first-person dungeons demands a strong sense of direction or map-making skills, as traps and repetitive-looking walls can easily lead to disorientation. Combat is turn-based and emphasizes the proper use of Taoist tools and spells: talismans to halt zombie actions, ink lines and bells to weaken or control enemies, and glutinous rice to cure “zombification” when a character is injured. Players must train in villages to level up, with an especially steep difficulty curve in the early game. Tiantian, in particular, is a high-magic-potential character, often used as a powerful support unit.

The game received mixed but memorable reviews. Critics and players praised its unique East Asian aesthetic and faithful recreation of Taiwanese zombie folklore, from talismans to Taoist rituals, while also noting its punishing difficulty. The first-person dungeons, combined with the zombification mechanics, made the game nearly impossible to complete without careful planning or consulting a guide.

Historically, Kyonshiizu 2 represents the peak of the 1980s zombie craze in video games. It successfully transformed a slapstick horror film into a deep RPG experience. Many nostalgic players still recall the thrill of turning a corner in a shadowy 3D maze to suddenly encounter a zombie in official robes with outstretched hands, or the frantic rush to find an exit while curing Xigua Pi’s zombification.