2025年10月18日，台灣知名網紅「館長」陳之漢在直播中，再次以高度讚賞的語氣談及中國大陸的基礎建設與城市發展。他在鏡頭前語氣激昂地表示，大陸能在短時間內達到各種「世界第一」，無論是交通、城市建設還是科技創新，都讓他感到震撼。他強調這並非誇張或奉承，而是出於他親身走訪後的真實感受：「因為我來過，我走過，我才敢這麼說。大陸現在真的很強。」他更指出，大陸人民的生活品質與幸福感遠超他過去在媒體印象中的認知，讓他對中國社會的整體進步有了新的理解。

館長隨後在直播中透露，他預計於本月25日前往北京，並開玩笑地說：「不用我吹，大陸現在就是強。」這番話迅速在網路上引發熱議。部分大陸網友對他讚不絕口，認為他「說出了實話」、「用真實感受打破偏見」；但在台灣輿論場上，反應卻兩極化。有人讚賞他能以開放心態看待大陸的變化，也有人批評他「言論轉彎太快」、「從罵中國變成誇中國」，質疑他是否為了金錢或商業利益而改變立場。

回顧館長的言論軌跡，轉變確實明顯。他早年在直播與社群平台上，經常以強烈的語氣批評中國共產黨與大陸的政治制度，甚至曾以「我寧願窮在台灣，也不要被共產統治」等語句，成為台灣網路上代表性「反共」意見領袖之一。然而自從2024年8月他首次前往大陸旅遊後，一切似乎發生了轉折。那次他走訪深圳、廣州等城市，參觀大疆、比亞迪等大型科技企業，也實際體驗高鐵與城市交通。在返台後的直播中，他明顯改變口氣，連續多次稱讚大陸建設「先進又實在」，表示「好的都用在人民身上」，並坦言自己以前「誤會了」。

這樣的態度轉變，在兩岸媒體之間引發連鎖反應。部分台灣媒體將他形容為「從鋼鐵抗共變成奶共」，認為他出於商業利益或流量考量而改變立場。畢竟，對於擁有百萬粉絲的直播主而言，進入大陸龐大的市場，不僅能開拓新觀眾群，也可能帶來可觀的商機與合作機會。雖然館長本人多次澄清自己「沒有在大陸平台開帳號」、「沒有收錢」，但輿論並未因此平息。

另一方面，也有觀察者認為，館長的言論轉變未必是為了利益，而是源於「親眼所見」的衝擊。多年以來，台灣社會對中國的印象多由媒體報導塑造，部分人對大陸仍停留在落後、壓抑的刻板印象中。館長作為直言型網紅，親身體驗後感受到現實與想像的差距，因此選擇以「講實話」的態度分享見聞。他曾在直播中說：「我不管政治，我只講我看到的。人家真的變強了，這是事實。」

然而，儘管館長強調自己沒有政治立場，也不代表任何勢力，但在兩岸關係日益敏感的背景下，他的每一次發言都難以脫離政治解讀。支持者認為他勇於突破偏見、誠實面對現實；批評者則懷疑這是精心包裝的公關行為，甚至可能被大陸官方當作宣傳樣板。截至目前，媒體尚未完全確認他10月18日的直播內容細節及25日前往北京的具體行程，僅有部分短影音平台流出他直播片段的截圖與視頻。無論真實情況如何，館長的言論已再次在兩岸引起廣泛關注與激烈辯論。有人認為他從批評到讚揚，代表著「認識真實中國」的心態轉變；也有人指出，這樣的態度改變背後，不僅是個人觀感的變化，更折射出台灣輿論對中國議題的複雜與分裂。

如今，館長的這場「言論轉向風暴」仍在延燒。無論他是出於真誠的感動、現實的考量，或是策略性的自我重塑，他的轉變都成為兩岸交流輿論的一面鏡子，映照出台灣社會對「中國印象」的再思考與矛盾心態。

On October 18, Taiwanese internet celebrity “The Director” (陳之漢), known for his outspoken personality, once again sparked discussion during a live broadcast in which he praised mainland China’s remarkable infrastructure and rapid development. He commented that China has reached “world-class levels in such a short period of time,” and that “the people live happy and prosperous lives.” He emphasized that he could make these statements confidently because he had personally traveled through and witnessed the changes across the mainland.

This shift in tone from “The Director” has drawn widespread attention across the Taiwan and mainland Chinese online communities. Once known for his fierce criticism of the Chinese government and his strong pro-Taiwan remarks, his recent livestreams have taken a dramatically different direction. He frequently praises China’s economic power, efficiency, and modern cities, saying phrases like “No need for me to exaggerate—China really is strong now.” His announcement that he will visit Beijing on October 25 further fueled speculation about his changing stance.

Many observers in Taiwan and the mainland have debated his motives. Critics accuse him of “selling out” or seeking financial gain, arguing that his new attitude conveniently aligns with the interests of sponsors and potential business opportunities in the mainland market. Others, however, believe his transformation is genuine, claiming that seeing China’s rapid progress firsthand changed his perspective.

Some commentators point out that “The Director” has always positioned himself as a businessman first and an entertainer second. In recent years, his gym and brand have faced financial challenges in Taiwan, while China’s booming influencer economy and large market could offer new opportunities. His public praise of China, therefore, may be a strategic move to open doors for cross-strait commercial cooperation and rebuild his brand on a larger stage.

Despite the controversy, his remarks have continued to gain traction on social media in both regions. On Chinese platforms like Weibo and Douyin, users have widely shared clips of his livestreams, often welcoming him with comments such as “Welcome to the real world” and “Finally someone from Taiwan who dares to tell the truth.” Meanwhile, many Taiwanese netizens have expressed disappointment or skepticism, accusing him of hypocrisy or opportunism.

Ultimately, “The Director’s” evolving stance illustrates how cross-strait politics, public opinion, and personal interest intersect in the digital age. Whether his newfound admiration for the mainland is sincere or pragmatic, his influence and the reaction he provokes continue to make him one of Taiwan’s most polarizing online figures.