瑞典知名演員伯恩·安德森（Björn Andrésen）於2025年10月25日去世，享年70歲，其女兒於10月27日發布訃告向外界宣佈這一消息。伯恩·安德森因在電影《魂斷威尼斯》（Death in Venice）中飾演貴族少年塔齊奧（Tadzio）而一舉成名，並因此被譽為“世界第一美少年”。他在演藝生涯中的其他代表作品還包括《瑞典愛情故事》等。

然而，伯恩·安德森的人生並非一路光彩照人。他自幼身世坎坷，五歲時父親離家，十歲前母親自殺身亡，使他的童年在寄人籬下中度過。這段經歷深刻塑造他敏感、孤獨的性格，也為他日後的心理困境埋下伏筆。1971年，年僅15歲的他被導演盧奇諾·維斯康蒂（Luchino Visconti）從三千多名少年中挑選出演《魂斷威尼斯》中的塔齊奧，導演稱他擁有“不食人間煙火的美”。

成名之後，伯恩·安德森的生活卻充滿波折。1983年，他與妻子結婚並育有三個孩子，但1986年他9個月大的兒子因嬰兒猝死症去世，讓他陷入人生的“最黑暗時期”。1989年，伯恩與妻子正式離婚，從此他經歷多年抑鬱和酗酒生活。晚年的伯恩·安德森選擇獨居在斯德哥爾摩的一間破舊公寓，以教兒童鋼琴維生。他的學生只知道他是“會彈琴的伯恩老師”，對他年輕時的成就毫不知情。

伯恩曾回憶道：“若知道代價，我絕不會拍那部電影，我成了世界上最老的少年。”這句話道出了他因“世界第一美少年”稱號而伴隨一生的心理重擔。伯恩·安德森的一生，從早年的坎坷童年到成名後的憂鬱與孤獨，再到晚年的平凡生活，都展現了名利與美貌背後的深刻悲劇與無奈。他的去世，也讓世人再次回望這位曾被譽為最美少年的演員背後的故事。

Swedish actor Björn Andrésen passed away on October 25, 2025, at the age of 70, a fact announced publicly by his daughter on October 27. Andrésen rose to international fame for his role as the aristocratic boy Tadzio in the film Death in Venice, earning him the title of the “most beautiful boy in the world.” His other notable works include Swedish Love Story and several European films, but it was Death in Venice that defined his public image.

Despite his early fame, Andrésen’s life was far from easy. He had a troubled childhood: his father left the family when he was five, and his mother died by suicide before he turned ten, forcing him to grow up in foster care. These formative experiences shaped his sensitive and solitary personality, which would shadow him throughout his life. In 1971, at the age of 15, he was chosen by director Luchino Visconti from over 3,000 boys to play Tadzio, with Visconti praising him for a beauty that seemed “otherworldly.”

Andrésen’s personal life was marked by tragedy and loss. He married in 1983 and had three children, but in 1986, his nine-month-old son died from sudden infant death syndrome, a period he later described as the “darkest of his life.” In 1989, he divorced his wife and spent many years struggling with depression and alcoholism. In his later years, Andrésen lived alone in a modest apartment in Stockholm, earning a living by teaching piano to children. His students knew him only as “Mr. Björn, the piano teacher,” unaware of his past fame.

Reflecting on his life, Andrésen once said, “Had I known the cost, I would never have made that film. I became the world’s oldest boy.” This statement encapsulates the lifelong psychological burden he carried due to his early title of “the most beautiful boy in the world.” His life, from a difficult childhood to the pressures of early fame and later solitude, reveals the profound personal cost of beauty and celebrity. His passing serves as a poignant reminder of the hidden struggles behind a public image defined by extraordinary youth and beauty.