《聖鬥士星矢 天界篇 序奏～overture～》是於2004年2月14日在日本上映的動畫電影，也是《聖鬥士星矢》系列的第五部劇場版。由山內重保執導，東映動畫製作，角色設計依舊延續由荒木伸吾與姫野美智的經典畫風，音樂則由曾為《聖鬥士星矢》創作眾多名曲的橫山菁兒擔綱。本片上映時承襲原作宏大的神話世界觀，同時也嘗試以當時最新的動畫技術，呈現更具電影感與史詩氛圍的故事。

故事的開端銜接《冥王哈帝斯篇》的後續。星矢在與冥王的艱苦戰鬥後重傷，身體癱瘓只能坐在輪椅上，由雅典娜沙織悉心照料。這段情節一方面凸顯星矢為守護世界所付出的代價，另一方面也表現出沙織作為女神與凡人之間的柔情與矛盾。然而，平靜並未持久，雅典娜的姐姐、月亮女神阿爾忒彌斯突然現身，並提出一個誘惑又殘酷的條件：她願意恢復星矢的身體與心智，但作為交換，沙織必須放棄聖域，將人類的守護權交給阿爾忒彌斯。

面對這一提議，沙織陷入沉重的兩難抉擇：是選擇星矢的性命，還是守護整個人類的自由？而星矢在恢復力量後，必須直面新的神敵挑戰。阿爾忒彌斯與她的天鬥士軍團登場，使得聖鬥士們再度被捲入神明間的權力鬥爭。這部電影以「天界篇」為序章，開啟一個超越冥界的新舞台，將戰鬥提升至更高層次的神話對決。

在美術與氛圍營造上，《天界篇 序奏》延續了《聖鬥士星矢》一貫的華麗風格，但更著重於神祇的威嚴與壓迫感。天界的場景設計展現出高貴而冰冷的氛圍，與以往聖域或冥界的背景截然不同，讓觀眾感受到「凡人對抗神明」的張力。橫山菁兒的音樂更為全片注入史詩感，無論是壯闊的交響樂曲，還是悲壯的旋律，都加深了劇情中角色的矛盾與宿命感。

雖然這部作品被稱為「序奏」，象徵著僅是天界篇的開端，但它卻承載著極大的企圖心，試圖將聖鬥士的戰鬥推向更高的層次，甚至觸及希臘神話更深的領域。觀眾能夠在其中看到角色的情感掙扎，例如沙織作為女神卻流露出人性化的柔弱，星矢雖然受盡磨難卻依然懷抱信念。

不過，由於當年票房與反響未如預期，這個「天界篇」並未如原定計畫繼續展開，留下許多未竟之謎與懸念。即便如此，仍被視為系列中一次重要的嘗試與轉折。它不僅是對冥王篇的延續，更像是為星矢與聖鬥士們開啟一段新的傳說。對於長年追隨這部作品的粉絲而言，這部電影無疑承載期待與遺憾，也成為聖鬥士星矢動畫史上獨特的一頁。

《聖鬥士星矢》五部劇場版的比較介紹

一、《聖鬥士星矢：邪神艾莉斯》（1987）這是系列的第一部劇場版，故事講述女神雅典娜（沙織）被邪神艾莉斯附身，星矢與青銅聖鬥士們為拯救她，必須與艾莉斯的部下交鋒。劇情雖然簡單，但作為「外傳性質」的作品，成功將TV動畫的戰鬥模式搬上大銀幕。優勢在於快速凝聚觀眾熟悉的熱血與友情主題。

二、《聖鬥士星矢：神與神的激戰》（1988）此作引入「阿波羅」這位太陽神，挑戰的層級比前作更高。故事聚焦在「人類與神明的衝突」，星矢與仲間必須突破神的壓迫，展現「人類之小宇宙能與神匹敵」的主題。這部作品的戰鬥規模更大，但劇情仍偏簡短，主要亮點在於宏大的世界觀擴張。

三、《聖鬥士星矢：真紅的少年傳說》（1988）以北歐神話為背景，出現「亞特拉斯」等神祇角色。延續聖鬥士系列一貫的模式：敵人企圖顛覆世界秩序，青銅聖鬥士們為保護雅典娜挺身而戰。影片在美術風格上強調華麗，戰鬥場景細膩，音樂也相當出彩，被認為是劇場版中「最浪漫」的一部。

四、《聖鬥士星矢：最終聖戰的戰士們》（1989）引入「奧林帕斯十二主神」的後代，讓聖鬥士們與古代神明的力量正面交鋒。戰鬥強度大幅提升，畫面張力與特效表現也更勝前作。雖然劇情仍相對壓縮，但此片被認為是前四部劇場版的高峰，尤其在戰鬥規模與視覺演出上，達到TV版難以呈現的水準。

五、《聖鬥士星矢：天界篇 序奏～overture～》（2004）時隔十五年才推出的新劇場版，由山內重保執導。與前四部最大的不同是：

承接主線 —— 延續「冥王哈帝斯篇」的結尾，星矢癱瘓在輪椅上，劇情正式銜接原作主線，而非單純的外傳故事。

挑戰更高神祇 —— 引入雅典娜的姐姐阿爾忒彌斯，並暗示奧林帕斯眾神即將登場，讓聖鬥士的戰鬥層級推向全新高度。

風格寫實沉重 —— 畫風更為細膩、音樂史詩感更強，敘事節奏偏向嚴肅與壓抑，與以往劇場版的熱血直白形成鮮明對比。

未竟之夢 —— 因票房不佳，後續的「天界篇」並未推出，留下大量懸念，使得《序奏》成為孤立的遺作。

綜合比較

前四部劇場版：偏向「番外篇」性質，著重展現青銅聖鬥士的戰鬥精神，劇情獨立，氣氛熱血爽快。

天界篇 序奏：首次與原作主線緊密連結，風格宏大卻沉重，試圖將聖鬥士帶入「與神對決」的全新格局，但因後續腰斬而成為未完成之作。

Saint Seiya: Heaven Chapter - Overture premiered in Japan on February 14, 2004, as the fifth theatrical film in the Saint Seiya series. Directed by Shigehisa Yamaichi and produced by Toei Animation, the film retained the classic character designs of Shingo Araki and Michi Himeno, while the music was composed by Seiji Yokoyama, who had created many iconic pieces for the Saint Seiya franchise. Upon its release, the movie carried forward the grand mythological worldview of the original series while incorporating the latest animation technology at the time, aiming to deliver a more cinematic and epic storytelling experience.

The story begins directly after the events of the Hades Arc. Following a grueling battle with Hades, Seiya is gravely injured and paralyzed, confined to a wheelchair, with Athena (Saori) tending to him. This segment emphasizes both the price Seiya has paid to protect the world and Saori’s tender yet conflicted role as a goddess interacting with mortals. However, peace is short-lived. Athena’s sister, the Moon Goddess Artemis, appears and presents a tempting yet cruel condition: she offers to restore Seiya’s body and mind, but in return, Saori must relinquish the Sanctuary and transfer humanity’s protection to Artemis.

Faced with this proposal, Saori is caught in a profound dilemma: should she choose Seiya’s life or protect the freedom of all humanity? Once Seiya regains his strength, he must confront a new divine adversary. Artemis and her army of heavenly warriors emerge, drawing the Saints once again into a divine power struggle. As the prologue to the Heaven Chapter, this film sets the stage for a story beyond the Underworld, elevating battles to a higher, mythic level.

In terms of visuals and atmosphere, Heaven Chapter: Overture maintains the lavish style typical of Saint Seiya but places greater emphasis on the majesty and oppression of the gods. The heavenly settings evoke a noble yet cold ambiance, distinct from the Sanctuary or Hades, highlighting the tension between mortals and divine beings. Seiji Yokoyama’s music enhances this epic feel, with sweeping symphonies and poignant themes amplifying the characters’ conflicts and sense of fate.

Although the film is titled “Overture,” signaling the beginning of the Heaven Chapter, it carried ambitious intentions to advance the Saint Seiya battles to a higher level and delve deeper into Greek mythology. Viewers witness characters’ emotional struggles, such as Saori’s humanized vulnerability despite her divine status, and Seiya’s enduring faith despite immense suffering.

However, due to underwhelming box office performance and reception, the Heaven Chapter did not continue as planned, leaving many unresolved mysteries. Nevertheless, the film is regarded as a significant experiment and turning point in the series, continuing the Hades Arc and opening a new chapter in the legend of Seiya and the Saints. For longtime fans, it embodies both anticipation and unfulfilled potential, marking a unique page in the history of Saint Seiya animation.

Comparative Overview of the Five Saint Seiya Theatrical Films

1. Saint Seiya: Evil Goddess Eris (1987)
The first theatrical film focuses on Athena being possessed by the evil goddess Eris. Seiya and the Bronze Saints must battle Eris’ minions to save her. While the plot is simple, it successfully translates the TV series’ battle style to the big screen and emphasizes themes of friendship and heroism.

2. Saint Seiya: The Heated Battle of Gods (1988)
This film introduces Apollo, the Sun God, raising the stakes higher. The story centers on the conflict between humans and gods, showcasing the theme that human cosmo can rival divine power. The battles are grander in scale, and the expanded world-building is its main highlight.

3. Saint Seiya: Legend of Crimson Youth (1988)
Set against Norse mythology, this film features deities such as Atlas. Following the series’ formula, the Bronze Saints fight to protect Athena from forces aiming to disrupt the world order. Noted for its ornate art, detailed fight scenes, and striking music, it is considered the most romantic of the theatrical films.

4. Saint Seiya: Warriors of the Final Holy Battle (1989)
This installment introduces descendants of the Twelve Olympian Gods, allowing the Saints to directly confront ancient divine powers. The intensity of battles and visual effects surpass previous films. Despite a relatively condensed plot, it is considered the peak of the first four films in terms of spectacle and cinematic execution.

5. Saint Seiya: Heaven Chapter - Overture (2004)
Released fifteen years later, this film differs significantly from its predecessors:

• Direct continuation of the main story — It picks up from the end of the Hades Arc, with Seiya paralyzed and the plot closely tied to the manga’s narrative, unlike previous films which were mostly side stories.
• Higher divine stakes — Athena’s sister Artemis is introduced, hinting at the arrival of the Olympian gods, elevating the scale of battles.
• Darker, more serious tone — The animation is detailed, the music epic, and the storytelling leans toward gravity and tension, contrasting with the earlier films’ straightforward heroism.
• Unfinished arc — Poor box office performance prevented continuation, leaving many unresolved plotlines, making it an isolated, incomplete work.

Summary Comparison

The first four films are mostly side stories, emphasizing the fighting spirit of the Bronze Saints with independent, action-driven plots. Heaven Chapter: Overture, however, is tightly linked to the main storyline, adopting a grand yet heavy style, attempting to elevate the Saints into battles against gods. Despite being unfinished, it represents a bold attempt to expand the series’ mythological scope and stands out as a unique milestone in the Saint Seiya cinematic legacy.