《曲途》（No Straight Roads）是一款由馬來西亞工作室 Metronomik 開發的音樂動作冒險遊戲，並由曾參與 Final Fantasy XV 的 Wan Hazmer 與參與 Street Fighter V 的 Diana Abir 領銜製作。作品憑藉鮮明的藝術風格與「節奏融入戰鬥」的設計理念，在獨立遊戲圈中迅速累積知名度。

於 2020 年 8 月全球推出，登陸 PC（Epic／Steam）、PlayStation 4、Xbox One 以及 Nintendo Switch 平台。隨著後續更新與 DLC 整合，到了 2026 年，已推出包含完整內容的版本，被視為體驗最完整的形態。遊戲類型定位為音樂動作冒險，但其核心特色在於將音樂節拍與戰鬥機制緊密結合，而非傳統節奏遊戲的玩法。

故事背景設定在名為「唱片市」（Vinyl City）的未來都市，這座城市的電力完全由音樂轉化而來。然而，音樂產業被名為 NSR 的電子舞曲組織所壟斷，其他音樂類型遭到排擠甚至禁止。主角是獨立搖滾樂團「Bunk Bed Junction」的兩位成員——吉他手梅黛（Mayday）與鼓手蘇（Zuke）。他們不滿這種單一音樂霸權，決定發起一場象徵自由與創造力的「搖滾革命」，透過挑戰各個音樂部門的主管，試圖改變整個城市的音樂生態。

在玩法方面，最具特色的是其節奏驅動的動作系統。敵人的攻擊節奏與場景變化都與背景音樂同步，雖然不需要像傳統音樂遊戲那樣精準對拍，但若能掌握節奏，便能更有效地閃避攻擊或反擊敵人。角色分工也相當鮮明，梅黛偏向重攻擊與環境利用，能將場景物件轉化為攻擊裝置；蘇則偏向高速連擊與輔助，適合靈活應對戰局。遊戲支援單人切換操作，也能進行雙人本地合作，強化互動性與戰略深度。此外，透過演出累積粉絲數，玩家可以解鎖技能與強化能力，使角色在戰鬥中更具變化性。

市場評價方面，在美術與音樂上獲得極高讚譽。其視覺風格融合街頭藝術、龐克文化與未來科技感，呈現出極具辨識度的畫面表現；而音樂設計更是核心亮點，每場頭目戰都以動態編曲呈現搖滾與電子樂的對抗，營造出強烈的臨場感與情緒張力。另一方面，遊戲作為東南亞開發的代表作品，也展現出不同於主流市場的創意與文化視角，對音樂產業壟斷現象的隱喻與諷刺令人印象深刻。

不過，在操作體驗上則呈現兩極評價。一方面，遊戲容錯率較高，即使節奏感不強的玩家也能順利通關；另一方面，也有玩家認為 3D 空間中的戰鬥有時會影響節奏判斷，加上戰鬥系統深度略顯不足，使後期體驗略為單調。

整體而言，《曲途》在 2026 年已被不少玩家視為一款「邪典經典」（Cult Classic）。它或許不是最完美的動作遊戲，但憑藉鮮明的風格、優秀的音樂以及獨特的理念，成功在獨立遊戲領域中留下了深刻印記，特別適合喜歡音樂主題與創新玩法的玩家體驗。

No Straight Roads is a music-driven action-adventure title developed by the Malaysian studio Metronomik. The project was led by Wan Hazmer, who previously worked on Final Fantasy XV, alongside Diana Abir, known for her work on Street Fighter V. With its striking visual style and rhythm-integrated combat system, the game quickly gained attention within the indie gaming scene.

The game was released globally in August 2020 for PC (Epic Games Store and Steam), PlayStation 4, Xbox One, and Nintendo Switch. By 2026, a complete edition including all downloadable content has been made available across platforms, offering the most comprehensive version of the experience. It is categorized as a music action-adventure game, but its defining feature lies in how it blends rhythmic elements directly into real-time combat rather than functioning as a traditional rhythm game.

The story takes place in a futuristic metropolis called Vinyl City, where electricity is generated entirely through music. However, the city’s music industry is monopolized by an EDM empire known as NSR, which suppresses all other genres. The protagonists are members of an indie rock band called Bunk Bed Junction—Mayday, a guitarist, and Zuke, a drummer. Frustrated by the dominance of electronic music, they launch a “rock revolution” to challenge NSR’s ruling artists and restore musical diversity to the city.

In terms of gameplay, the title’s most distinctive feature is its rhythm-based combat system. Enemy attacks and environmental changes are synchronized with the background music. While players are not required to hit precise beats to perform actions, understanding the rhythm greatly improves timing for dodging and counterattacks. The two main characters offer different playstyles: Mayday specializes in heavy attacks and can transform environmental objects into offensive tools, while Zuke focuses on fast combos and support abilities. The game supports both solo play, where players switch between characters, and local co-op for a more dynamic experience. Additionally, a progression system allows players to gain fans and unlock new abilities, enhancing combat versatility.

Critically, the game received high praise for its art direction and music. Its visuals combine street art, punk aesthetics, and futuristic design, creating a bold and memorable identity. The soundtrack is a major highlight, especially during boss battles where rock and EDM dynamically clash, reinforcing the game’s central theme. As a Southeast Asian-developed title, it also stands out for its unique creative voice and its commentary on the commercialization and monopolization of music culture.

However, the gameplay received mixed feedback. On one hand, its forgiving design makes it accessible even to players without strong rhythm skills. On the other hand, some players felt that the 3D combat space occasionally made rhythm timing less intuitive, and that the overall combat depth could become repetitive over time.

As of 2026, No Straight Roads is often regarded as a “cult classic.” While not without its flaws, it is widely appreciated for its originality, strong artistic identity, and memorable soundtrack, making it especially appealing to players who enjoy experimental gameplay and music-themed experiences.